Glass Orbit / Study I

Crash Glass, Acrylic on Canvas

120 x 100

The piece merges painting with crash glass, creating a dynamic, almost cosmic surface. The shattered fragments scatter like impact particles across the white sphere, following invisible lines of energy. Color, form, and material converge into an explosion of motion—a system of order and rupture, suspension and impact.

mountain witness / Study iI

Crash Glass, Acrylic on Canvas

120 x 100

The work abstracts the remains of a lightning-struck mountain tree that stands at 1500 meters like a fossilized testimony. Its broken lines, glass-like fragments, and rough layers of paint evoke wood, bark, and charred surfaces—an organism that has endured more weather than a human lifetime can contain. The crash-glass elements add a vulnerable, crystalline texture reminiscent of frozen water, resin, or shards of time. “Mountain Witness” becomes a symbol. What remains is a fragment of nature—broken, endured, transformed, and yet of fragile beauty.

Nature Study / Study Iii

Crash Glass, Acrylic on Canvas

120 x 100

The work shows the view from a mountain hut during a mountain rain. Crash glass forms the falling drops – some of them gilded, pointing to the value that rain holds in times of climate change. Behind this shimmering surface, the neighboring alpine hut appears amidst the clouds as if it were floating – a quiet, almost magical moment in the mountains. The piece connects nature observation, memory, and an awareness of the fragility of our environment.