( sold )
( sold )
( sold )
ELEMENT I ( sold )
ELEMENT Iii ( sold )
( sold )
( sold )
Aperol Spritz
The work captures the energy of a summer’s day: vibrant colors, rapid lines, and an orange-red glow reminiscent of Aperol Spritz, sun, and lightness. The composition remains abstract and gestural, defined by motion, rhythm, and a clear sense of summer.
Until Death Parts
oil on canvas
joint Work- Robin steven moné
Two skull forms face a fractured center, where symbols dissolve into dark motion. The composition reflects the thin boundary between connection and dissolution — a state held “until death,” where unity and rupture coexist in the same visual field. The work remains abstract, raw, and open to interpretation.
Film On
oil on canvas
At the Open Heart
oil on canvas
joint Work- Robin steven moné
The work captures the energy of a summer’s day: vibrant colors, rapid lines, and an orange-red glow reminiscent of Aperol Spritz, sun, and lightness. The composition remains abstract and gestural, defined by motion, rhythm, and a clear sense of summer.
The work unfolds like a sequence of three scenes — a struggle between power and fragility, strength and decline. Red and black tones act like stage lights, setting the figures in motion. The abstract shapes hint at lion and sheep without depicting them directly — a cycle of pursuit, collapse, ascent, and transformation.
A companion poem expands these three scenes in language and deepens the narrative of the piece; it can be found in the poetry section of the website.
“Roll Camera” invites the viewer to consider shifting roles: Who dominates? Who escapes? And when does everything reverse?
Plays of the Mind
Acryl on canvas
A large red-white-yellow circle sweeps across a vivid green background, swirling thoughts and possibilities into motion. At its center, a red-white core pulses like the spark of an inner impulse. Red circles, spirals, and geometric shapes scatter across the canvas like fragments of chance, linked by fine lines that trace paths, decisions, and drifting thoughts. At the bottom, the composition breaks into black-white motion, as if doubt or inner unrest rises to the surface. The painting becomes a visual echo of a mental cycle—open, questioning, and constantly shifting.
This painting accompanies a poem.
Yes / No / Maybe
metal leaf, epoxy, and acrylic on canvas