Slate guides the creation.

Its natural fractures and ancient structure cannot be forced; they determine the flow, the form, and the emotional direction of each work. I follow the stone rather than push against it — letting its history shape the image that emerges.

Unmasked

Vertical traces drift down the facade like dissolved layers, revealing what lies beneath the performed surface.
The glowing sky and the spiral above the roof echo an inner shift — a time of honesty, exposure, and quiet transformation.
“Unmasked” opens a space where façades fall and presence becomes real.

Taken Space

This work explores the moment in which one’s own space is no longer one’s own. Layered reds and dark tones create a physical, pressurized atmosphere, while white lines trace the memory of a touch. The piece reveals a space that has been taken — and yet transformed. What remains is not only the trace of violence, but the strength of having survived it.

Time Structure I

This work marks a radical moment: a farewell to time itself. The spiral reveals its restless turning, its pull and pressure, the force that drives our days. Scattered symbols and fragments recall how easily we are caught in the rhythm of measuring and passing. The small gravestone stands for liberation: the choice to end the tyranny of time and arrive in the present – where pressure dissolves and space opens for clarity, presence, and life.

IdentitY

addresses the formation of the self as a fluid, unfixed condition.
The interwoven body fragments serve as a metaphor for layered internal states, while the painterly gesture translates the non-verbal into form.

Eclipse Study I (SOLD) Eclipse Study II (SOLD)

The second study continues the process of unveiling. The previously concealed core unfolds into a dynamic chromatic field suggesting expansion, transformation, and emergence.
The radial gradients function as energetic vectors, while the embedded fragments reference transitions between states, time, and material.
The work explores the phenomenon of reappearance—the return of energy, the formation of new structures, and the shift from latent to active presence

Return to Origin – Study on Loss and Continuity

This work fuses personal history with material memory:
A fragment of the destroyed house and the surviving tree merge into a study of origin, loss, and return. The material carries what once was, while the colors and lines articulate a new kind of arrival: suspended between destruction and continuity, between what ended and what endures.

Reversal (SOLD)

This work examines the shift in agency between human and nature.
The tree no longer appears as an object of human intervention, but as an active agent.
It represents a reversal of the familiar perspective.

Interferenz I Interferenz II

This work examines the moment when inner vibrancy becomes overlaid by an external coldness. Luminous, organic forms collide with dark, rigid zones—two states that no longer connect. It is an image of overlap, muted resonance, and the silence that emerges between diverging worlds.

Fire and Stone

This work explores the moment when energy becomes visible within matter. Radiant reds and yellows unfold like eruptive forces emerging from the dark slate, while fine, luminous lines trace the stone’s internal tension. Color and material coexist in a field of pressure between eruption and structure – an image of what breaks open from within.

Color and Stone

A work about the encounter of two forces: the weight of stone and the radiance of color. The flowing bands follow the natural shape of the slate while revealing its inner rhythm. A dialogue between material and gesture – between stillness and motion.

NIENHAGEN

This work reimagines the cliffs of Nienhagen as a dialogue between mass and light. Warm earth tones meet a radiating, spiraling sun, while the brushstrokes follow the natural structure of the slate. The result is a landscape charged with heat, movement, and quiet geological tension.

MOONMAN

“Moonman” presents the moon as an active agent: a body of light that sets lines, forms, and spaces in motion. The figure appears through effect rather than shape — a circle that warms, touches, and alters its surroundings. The work explores light as relation, not as phenomenon.

FRAGMENT Vii

This work examines visual persistence as a spatial-material phenomenon.
The convergence of architectural fragments, organic line structures, and the central ocular form creates an overlay of observation and construction. The surface acts as an interface, carrying traces, sediments, and residual visual energies circulating between perception, memory, and spatial form. The piece becomes a model of how a gaze endures even after its origin has deteriorated.

Version ii

Distorted volumes, radial light, and rigid axes interact with the irregular slate substrate. The composition emerges from tensions between form, direction, and the material’s intrinsic resistance.

umbrella

This piece examines the umbrella as a geometric construction. Its form is fractured, shifted, and rhythmically reorganized. Strict lines blend with expressive color architecture, creating an intermediate space between object and abstraction, perception and structure.